Beth Gibbons Sings "Sour Times" with Portishead in 1994

"Sour Times" is a song by English trip hop group Portishead, released as their second single in August 1994. Written by all three members of the band, "Sour Times" features on Portishead's debut album Dummy (1994).
The original 1994 release initially reached only number 57 in the UK, but after the success of "Glory Box" in 1995, it was re-released and peaked at number 13 on the UK singles chart in April. It is also the band's only song to date to appear on the Billboard Hot 100 chart, at number 53.




To pretend no one can find
The fallacies of morning rose
Forbidden fruit, hidden eyes
Courtesies that I despise in me
Take a ride, take a shot now

'Cause nobody loves me
It's true
Not like you do

Covered by the blind belief
That fantasies of sinful screens
Bear the facts, assume the dye
End the vows, no need to lie, enjoy
Take a ride, take a shot now

'Cause nobody loves me
It's true
Not like you do

Who am I, what and why?
'Cause all I have left is my memories of yesterday
Oh these sour times

'Cause nobody loves me
It's true
Not like you do

After time the bitter taste
Of innocence, decent or race
Scattered seeds, buried lives
Mysteries of our disguise revolve
Circumstance will decide ....

'Cause nobody loves me
It's true
Not like you do

'Cause nobody loves me
It's true
Not like you
Nobody loves.. me
It's true
Not, like, you.. do

Polly Jean Harvey Sings "Ecstasy" (1993)

Polly Jean Harvey MBE (born 9 October 1969) is an English musician, singer-songwriter, composer and occasional artist. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments including piano, organ, bass, saxophone, harmonica, and most recently, the autoharp.

The songs on Rid of Me were performed by Harvey’s eponymous trio, consisting of Harvey on guitar and vocals, Rob Ellis on drums and background vocals, and Steve Vaughan on bass. It was the last album they recorded as a group before disbanding in late 1993. Most of the songs on the album were recorded by Steve Albini. Rid of Me was met with acclaim by critics. It has been ranked at number 405 on Rolling Stone's 500 Greatest Albums of All Time.




Flying
I'm flying
Hitting heavens high
I'm head on brake too low

Floating
I'm floating
Hanging below the sea
I'm telling you look at me

Ecstasy
I'm in ec...ecstasy

Singing
I'm singing. Yah!
Sounding hanging breathe
I'm begging you look at me

Ecstasy
I'm in ec....ecstasy
Ecstasy

Sade Adu Sings "Sally" in 1984

Helen Folasade Adu, OBE (Yoruba: Fọláṣadé Adú; born 16 January 1959), better known as Sade (/ʃɑːˈdeɪ/ shah-day), is a Nigerian-born British singer-songwriter, composer, and record producer. She first achieved success in the 1980s as the frontwoman and lead vocalist of the Brit and Grammy Award-winning English group Sade. In 2002, she received an OBE from Prince Charles at Buckingham Palace for services to music, and she dedicated her award to "all black women in England". In 2012, Sade was listed at number 30 on VH1's 100 Greatest Women In Music. Sade has a contralto vocal range.




Sally, you opened out your arms to all those young men
And girl you had room for every one of them
You're the only girl on Barry and Third
Sure as hell you're the only one who cared

So put your hands together for Sally
She saved all those young men
Put your hands together for Sally
She's the one who cared for them

She's doing our dirty work
She's the only one who cares
Doing our dirty work
Thirsty world, one angry day in New York

Take a look at Dave he was once seventeen
Zoot suit and shinny shoes, he ran around town
And threw his metholated laughter
Most of his memories drowned

But he remembers what his mommy used to shout
She used to shout, one day surely son
The streets are gonna tire you out

So put your hands together for Sally
She's the one who cared for him
Put your hands together for Sally
She was there when his luck was running thin

She's doing our dirty work
She's the only one who cares
Doing our dirty work
Thirsty world, one angry day in New York

Tommy had a wife and family
But the needle came between the love and the hard times
Thank God for Sally, she was there through the misery
Just a place to lay his head, just about better off than dead

She's doing our dirty work
She's the only one who cares
Doing our dirty work
Thirsty world, one angry day

Vince came up from the country
Couldn't even find himself a room
Thinking about his babies
That's further away than the moon

With no money but his pride in his pocket
There's really no way he can go home
There's a picture of his woman in his locket
Most of all he doesn't want to be alone

Put your hands together for Sally
She's the one who cared for him
Put your hands together for Sally
She was there when his luck was running thin

She's doing our dirty work
She's the only one who cares
Doing our dirty work
Thirsty world, one angry day in New York

"Each And Every One" Sung by Tracey Thorn with Everything But The Girl in 1984

Everything but the Girl (often shortened EBTG) was a British musical duo, formed in Hull in 1982, consisting of lead singer and occasional guitarist Tracey Thorn and guitarist, keyboardist, and singer Ben Watt. The duo's most successful single was a Todd Terry remix of "Missing" charting in several countries in 1994.




If you ever feel the time
To drop me a loving line
Maybe you should just think twice
I don't wait around on your advice

You tell me I can go this far oh, but no more
Try to show me heaven and then slam the door
You offer shelter at a price much too dear
And your kind of love's the kind that soon disappears

So don't brag how you have changed
And everything's been rearranged
I thought all that was over and done
But I still get the same from each and everyone

Being kind is just a way to keep me under your thumb
And I can cry because that's something we've always done
You tell me I'm free of the past now and all those lies
Then offer me the same thing in a different guise

You tell me I can go this far oh, but no more
Try to show me heaven and then slam the door
You offer shelter at a price much too dear
And your kind of love's the kind that soon disappears

"So Far" Sung by Rose Carlotti with The Heart Throbs in 1992

The Heart Throbs formed in 1986, initially by Rose Carlotti and Stephen Ward, both college students, who recruited Rose's sister Rachel DeFreitas and Mark Side. Rose and Rachel are sisters of the late Echo & the Bunnymen drummer Pete DeFreitas. The band released their first single in mid-1987 on Marc Riley's In-Tape label. They were then signed by Rough Trade, for whom they released two singles, both hits on the UK Independent Chart. After two further singles on their own label, Profumo (a reference to John Profumo), The Heart Throbs were signed by the UK record label One Little Indian Records.[1] Guitarist Alan Barclay aka Alan Borgia joined at this time, allowing original guitarist Ward to move to keyboards. Their first album, Cleopatra Grip, was distributed in the US by Elektra Records, after which they were signed by A&M Records, who released Jubilee Twist in the US. After disappointing sales, however, A&M elected not to distribute their third and final album, Vertical Smile. The first and third albums were named after euphemisms for female genitalia, while the jubilee twist is a martial combat technique for attacking the male genitalia.

Björk Sings "Birthday" with The Sugarcubes in 1988

"Birthday" is a song written and recorded by Icelandic band The Sugarcubes for their 1988 debut album Life's Too Good. It was their first international single and the first single released from the album. The Icelandic-language version "Ammæli" was released on the Iceland-only single Einn Mol Á Mann (One Cube Per Head) the previous year and was included as the B-side on the international single.




She lives in this house over there, has her world outside it.
Grapples with the earth with her fingers and her mouth, she's five years old.
Thread worms on a string, keeps spiders in her pocket, collects fly-wings in
A jar scrubs horse flies and pinches them on a line. she's got one friend
He lives next door, they listen to the weather, he knows how many freckles
she's got,
She scratches his beard. she's painting huge books, glues them together,
They saw a big raven; it glided down the sky, she touched it.
Today's a birthday, they're smoking cigars, he got a chain of flowers,
Sows a bird in her knickers, they're smoking cigars, lie in the bathtub, chain of flowers.

"Baby Love Child" Sung by Maki Nomiya with Pizzicato Five in 1994

Pizzicato Five (often known simply by the initials P5)[1] was a Japanese pop group best known to audiences in the West in their later incarnation as a duo of Maki Nomiya and Yasuharu Konishi. The group, widely credited (along with Flipper's Guitar) with spearheading the Shibuya-kei movement of Tokyo in the 1990s, is known for eclectic and energetic compositions that often pay homage to late 1960s English-language Pop Music. The catchphrase "A New Stereophonic Sound Spectacular" captured the group's ironic stance and eager attitude. The group broke up in March 2001.




When I see you alone,
I see what's in your mind.
You love me yes you do,
You don't need to tell me.
I know you love me most,
No one else take my place.
You need me, yes you do.
Forever, and ever.

When we kiss,
I see what's in your heart.
You love me yes you do,
You don't need to tell me.
I know you love me most,
No one else take my place.
You need me, you do.
Forever, and ever.

We are in love, baby love child
I take you so high, groovy love child
Give me a kiss, baby love child
Do it again

Attention adults
Attention adults
Attention adults
Attention adults

We are in bed at night,
I can see what you want.
You want me yes you do,
Ai shiteimasu. (*)
I know how you feel,
You have all of my heart.
I give you myself.
Forever and ever

We are in love, baby love child
I take you so high, groovy love child
Give me a kiss, baby love child
Do it again

Attention adults
Attention adults
Attention adults
Attention adults
Attention adults
Attention adults
Attention adults
Attention adults
Attention adults

Kirsty MacColl Sings "Mother's Ruin" in 1989

Kirsty Anna MacColl (10 October 1959 – 18 December 2000) was an English singer-songwriter who wrote and recorded several pop hits between the early 1980s and the 1990s. In addition, she sang on hit recordings produced by her then-husband Steve Lillywhite, notably on tracks by The Smiths and "Fairytale of New York" by The Pogues. Kirsty was decapitated by a power boat driven by the son of one of Mexico's richest men. She was swimming with her children at the time. Kirsty was the daughter of songwriter Ewan MacColl.

Kite is the breakthrough second album by Kirsty MacColl, released in 1989. Produced by her then husband Steve Lillywhite, it was her first album for Virgin Records. The album including MacColl's hit cover of The Kinks' "Days", as well as two tracks written with Smiths guitarist Johnny Marr. The album was re-released in 2005 with 5 bonus tracks and alternate mixes of 4 songs on the album. On 6 October 1989 it was certified silver by the BPI.




"Mother's ruin"
She said to herself
"I'm just screwing my own mental health"
But Fridays and Saturdays
She walks down those alleyways
A latter day lady of the lamp

How you doing?
You ain't from round here
Won't you come in?
I'm really not scared
'Cause Fridays and Saturdays
I still do it anyways
And anything is better than out there

Now don't wake me up again
Don't let me feel anything
But when you go
Let me dream that I go with you
So I won't cry myself dry anymore

Mothers ruin
Their own little girls
Keep them dreaming
There's more to this world
But turn her the other way
And every day's Father's day
He stays until there's nothing left to say

But don't wake me up again
Don't let me feel anything
But when you go
Let me dream that I go with you
'Cause I can't take it round here anymore

Now don't wake me up again
Don't let me feel anything
But when you go
Let me dream that I go with you
So you won't make my heart ache anymore
Leave the light on and don't shut the door

"Waltz 4 Koop" Sung by Cecilia Stalin with Koop in 2003

Koop is an electronic jazz duo from Sweden, consisting of Magnus Zingmark and Oscar Simonsson.

Koop won a Swedish Grammy Award in 2003 for the album "Waltz for Koop", and received a Gold certification for sales of their most recent album, Koop Islands. Their orchestrated sound is achieved by slowly putting together thousands of small clips from records until the songs are ready, which helps explain the long time it takes to make a Koop album. Vocals have been provided by singers such as Ane Brun, Yukimi Nagano, Hilde Louise Asbjornsen, Rob Gallagher and Mikael Sundin.




We never seem to find peace of mind
We're always on the run away from the sun
And we've only just begin.

You say we've overcome nothing is wrong
You say our job is done the battle is won
But we've only just begun.

You say our job is done the battle is won
But we've only just begun

"Have Yourself A Merry Little Christmas" Sung by Chrissie Hynde with The Pretenders in 1987

A Very Special Christmas is the first in a series of Christmas-themed compilation albums produced to benefit Special Olympics. The album was released in 1987, and production was overseen by Jimmy Iovine for A&M Records. A Very Special Christmas has also raised millions of dollars for the Special Olympics.[2] The cover artwork was designed by Keith Haring.




Have yourself a merry little Christmas
Let your heart be light
From now on, our troubles will be out of sight

Have yourself a merry little Christmas
Make the yule-tide gay
From now on, our troubles will be miles away

Here we are as in olden days
Happy golden days of yore
Faithful friends who are dear to us
Gather near to us once more

Through the years we all will be together
If the fates allow
Hang a shining star upon the highest bough
And have yourself a merry little Christmas now

Margaret Fiedler Sings "Alphabet Soup" with Laika in 2003

Laika is a British band founded in 1993 by the ex-members of Moonshake Margaret Fiedler and John Frenett, and producer and engineer Guy Fixsen. The band was named after the Russian dog Laika, the first animal to orbit the earth.




Silence please now
I dont want a word
Got deep in trouble
And my hands got burnt

Aint nobody love me
Thats how I got here
With pockets full of nothing
And a head full of fear

You broke a heart many a time
But you'll never break this heart of mine
You broke a heart many a time
But you'll never break this heart of mine

Im a fish outta water
A soup in a basket
Gotta get to where Im going
But dont know how to ask it

Believed in a young man
Thats where I went wrong
And now Im in the gutter
And I aint got long

He was a callous boy
That much I could see
But the hearts a crazy fool
When it wants to believe

It loses all directions
Forgets how to drive
That honey saw me coming
And skinned me alive

You broke a heart many a time
But you'll never break this heart of mine
You broke a heart many a time
But you'll never break this heart of mine

You broke a heart many a time
But you'll never break this heart of mine
You broke a heart many a time
But you'll never break this heart of mine



Read more: Laika - Alphabet Soup Lyrics | MetroLyrics

Josie Cotton Sings "Beyond The Valley of the Dolls" in 2007

Josie Cotton (born Kathleen Josey; 1956) is an American singer/songwriter, best known for her minor hits "Johnny Are You Queer" and "He Could Be the One" from 1982. "Johnny Are You Queer" has been featured on the soundtracks to the movies Jackass Number Two and Valley Girl, and "He could be the one" was also featured in Valley Girl.

Beyond the Valley of the Dolls is a 1970 American schlock melodrama film starring Dolly Read, Cynthia Myers, Marcia McBroom, John LaZar, Michael Blodgett and David Gurian. The cult classic was directed by Russ Meyer and co-written by Meyer and Roger Ebert.

Agent Ribbons Sing "Oh, la la" in 2010

Th e story of Agent Ribbons has not one–but many–beginnings, and fashioning some semblance of chronology from their cut-and-paste four-year history is an art project in and of itself. Originally hailing from the shanty-Victorian streets of downtown Sacramento, they now reside in Austin,TX when they aren’t traveling the world and jamming econo.
Usually, you’ll experience them as a three piece, but they are also known to keep it simple with the original two-piece guitar, drums and vocals line up. In either case, they almost always catch crowds off-guard with their live rawness, bringing both an honest minimalism and unapologetic theatricality to their live shows.
Agent Ribbons isn’t just a band–it’s a tree house club of post-feminist dreamers trying to find their place in the scheme of things, like a hand-sewn and lovingly-crafted garment in a modern, disposable world. Listening to everything from Eartha Kitt to e Velvet Underground and taking notes from bands like The Shaggs, Th e Boswell Sisters and Th e Zombies, they miraculously reconcile seemingly-unrelated genres, sounding something like Girls in the Garage doing the Three Penny Opera. Waxing sentimental over the eerie beauty of all things lost to time, the emphasis is undoubtedly in the lyrics, which favor clever turns of phrase and occasional humor, but never at the expense of the melodic integrity of their catchy, memorable songs.
Since 2007, the band has toured the U.S. more times than they can remember. Some of those tours were with big national acts like Camera Obscura, Cake, Detroit Cobras and Girl in a Coma, and the rest were done vigilante-style in a Chevy Astro.





I'd rather be going nowhere
Knowing that that's where I was going
Than to be always headed somewhere
Unbeknownst to me

I know that you're seeking something
Elusive as it may be
Think of me
When you get somewhere
I hope it's nowhere without me

Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA


I'd rather be dreaming big dreams
And living just to get what I am given
While you wander after moonbeams
I'm dreaming just to see you in 'em
It's just for a while
But 400 miles seems like an eternity
Think of me when you get somewhere
I hope it's nowhere without me

Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA
(oh la la)
Wish you hadn't gone away to LA
(oh la la)


oh la la
oh la la
oh la la
oh la la
oh la la
oh la la

k.d. lang Sings "So In Love" in 1990

Kathryn Dawn Lang, OC (born November 2, 1961), known by her stage name k.d. lang, is a Canadian pop and country singer-songwriter and occasional actress.

"So in Love" is a popular song, written by Cole Porter, from his musical Kiss Me, Kate, (opening on Broadway in 1948) based on Shakespeare's Taming of the Shrew. It was sung in the show by Patricia Morison, reprised by Alfred Drake and further popularized by Patti Page in 1949.

Red Hot + Blue is the first in the series of compilation albums from the Red Hot Organization. The recording was the first in the Red Hot Benefit Series. It features contemporary pop performers reinterpreting several songs of Cole Porter, and the title of the album comes from Cole Porter's musical, Red, Hot and Blue.




Strange dear, but true dear,
When I'm close to you, dear,
The stars fill the sky,
So in love with you am I.
Even without you,
My arms fold about you,
You kno, darling why,
So in love with you am I.
In love with the night mysterious,
The night when you first were there.
In love with my joy delirious,
The thought that you might care.
So taunt me, and hurt me,
Decieve me, desert me,
I'm yours till I die,
So in love with you am I

"Post-Modern Sleaze" Sung by Kelly Dayton with Sneaker Pimps in 1996

Sneaker Pimps was a British trip-hop band formed in Hartlepool, England in 1994. They are best known for their first album Becoming X (released in 1996) and particularly the singles "6 Underground", "Spin Spin Sugar", and "Tesko Suicide" from the same album. They took their name from an article the Beastie Boys published in their Grand Royal magazine about a man they hired to track down classic sneakers.




She looks ahead, she paints her toe nails red,
She's wet and wild, a typical 90's child,

She makes every move they make,
She takes everything they take,
She must be a thelma or louise,
She must be a post-modern sleaze

Unscrew the wine, she'll throw a party line,
Stories extreme, she's such a drama queen,
Cries through the night, she choked on marlboro lites,
Pure charm and grace, she hates her pretty face,

She makes every move they make,
She takes everything they take,
She must be a thelma or louise,
She must be a post-modern sleaze

Straw spun from gold, she craves a tortured soul,
All doom and gloom, she plays an open wound,

She takes every scene they steal,
She takes every pain they feel,
She must be a thelma or louise,
She must be a post-modern sleaze

Deborah Harry Sings "Sound-A-Sleep" with Blondie in 1979

Blondie is an American rock band founded by singer Deborah Harry and guitarist Chris Stein. The band was a pioneer in the early American new wave and punk scenes of the mid-1970s. Their first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including "Call Me", "Atomic" and "Heart of Glass" and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a new wave band.




You close your eyes and you will see
Micro-flashing neon lights
Open your eyes and you will see
It still looks like the same thing
Lie and wait for sleep and listen
To your heart beat too fast for sleep
Close your eyes and you will see
The sound asleep

I want to go, I want to go
I want to go down to go to sleep
Your frame of reference
Is my swimming pool

My, my swimming pool
Still looks like the China Sea
Pool to sea and finally
The sound asleep

Feel the muscles in your face
Twitch, relax, remembering
Everything that went down and will go down
I want to go down to sleep

Insomnia, no sleep disease
Petties parking, feed me please
Lie and wait for sleep and listen
To your heart beat too fast for sleep

Cibo Matto Sing "Moonchild" in 1999

"Moonchild" is the second single released from the second Cibo Matto album, Stereo ★ Type A. It was released in 1999. B-side "Backseat" was included on the Japanese version of the album.

Cibo Matto (meaning crazy food in Italian, and pronounced [ˈtʃiːbo ˈmatto]) are a New York City-based band formed by two Japanese women, Yuka Honda and Miho Hatori, in 1994. Initially, the lyrics in their songs were primarily concerned with food, before expanding into broader subject matter following the addition of Sean Lennon, Timo Ellis and Duma Love to the band, showcased on their second studio album.

While the two founding members of the group are Japanese expatriates, they are not especially popular in Japan; the group did not gain nearly as large a following in Japan as it did in the United States. According to Billboard, their first album Viva! La Woman sold only 20,000 copies in Japan but over 74,000 copies in the U.S. Japanese listeners did not understand the appeal of the group.




Moonchild, [Incomprehensible] still live in my heart
Can I ask you something, is your life better now?
Moonchild, still live in my heart
Can I ask you something, is your life better now?

Sometimes I feel you're sitting next to me
Listening to my stories
Time always shows me it's hard to understand
How to be myself

Moonlight dries your tears
Moonlight hides your fears
Moonlight dries your tears
Moonlight hides your fears

Moonchild, still live in my heart
Can I ask you something, is your life better now?
Moonchild, still live in my heart
Can I ask you something, is your life better now?

Sometimes I feel you're smiling at me
And telling me your memories
The tide always moves fast
Can you tell me how to find words inside a shell?

Moonlight dries your tears
Moonlight hides your fears
Moonlight dries your tears
Moonlight hides your fears

Can't you get that? Do you know what you're doing, baby?
Do you know what you're doing, baby?
Can't you get that? Do you know what you're doing, baby?
Do you know what you're doing, baby?

Moonchild, still live in my heart
Can I ask you something, is your life better now?
Moonchild, still live in my heart
Can I ask you something, is your life better now?

Can't you get that? Do you know what you're doing, baby?
Do you know what you're doing, baby?
Can't you get that? Do you know what you're doing, baby?
Do you know what you're doing, baby?

Moonchild, do you know what you're doing, baby?
Do you know what you're doing, baby?
Moonchild, do you know what you're doing, baby?
Do you know what you're doing, baby?

Moonchild, do you know what you're doing, baby?
Do you know what you're doing, baby?
Moonchild, do you know what you're doing, baby?
Do you know what you're doing, baby? Moonchild



Read more: Cibo Matto - Moonchild Lyrics | MetroLyrics

Melanie Sings "Brand New Key" in 1971

"Brand New Key" is a pop song written by folk singer Melanie, which became a novelty hit in 1971-72. Taken from Melanie's album Gather Me, it was also known as "The Rollerskate Song" due to its chorus. It was her biggest hit, reaching #1 on the Billboard Hot 100 singles chart in December 1971 and January 1972. It reached #1 in Canada and Australia, and #4 in the UK charts.




I rode my bicycle past your window last night
I roller skated to your door at daylight
It almost seems like you're avoiding me
I'm okay alone but you got something I need

Well, I got a brand new pair of roller skates
You got a brand new key
I think that we should get together
And try them out, you see

I been looking around awhile
You got something for me
Oh, I got a brand new pair of roller skates
You got a brand new key

I ride my bike, I roller skate, don't drive no car
Don't go too fast but I go pretty far
For somebody who don't drive, I been all around the world
Some people say, I done all right for a girl

I asked your mother if you were at home
She said yes, but you weren't alone
Oh, sometimes I think that you're avoiding me
I'm okay alone but you've got something I need

Well, I got a brand new pair of roller skates
You got a brand new key
I think that we should get together
And try them out, you see

Oh, I got a brand new pair of roller skates
You got a brand new key

Anita Baker Sings "Sweet Love" in 1986

"Sweet Love" is the title of a popular song from 1986 by R&B singer Anita Baker. It was the second single from her critically acclaimed second studio album, Rapture.




With all my heart I love you baby
Stay with me and you will see
My arms will hold you baby
Never leave, 'cause

I believe, I'm in love, sweet love
Hear me calling out your name, I feel no shame
I'm in love, sweet love
Don't you ever go away, it'll always be this way

Oh your heart has called me closer to you
I will be all that you need
Just trust in what we're feeling
Never leave 'cause baby

I believe, in this love, sweet love
Hear me calling out your name, I feel no shame
I'm in love, sweet love
Don't you ever go away, it'll always be this way

There's no stronger love in this world
Oh baby no, you're my man, I'm your girl
I'll never go, wait and see, can't be wrong
Don't you know this is where you belong

Sweet, sweet and lovely baby
Stay right here, never fear
I will be all that you need
Never leave, 'cause baby

I believe, in this love, sweet love
Hear me calling out your name, I feel no shame
I'm in love, sweet love
Don't you ever go away, it'll always be this way

Love, so sweet so sweet so sweet
Love, love
Baby, sweet love
I believe
Love is sweet baby, love is sweet baby

Edie Brickell Sings "Circle" with New Bohemians in 1988

Edie Brickell & New Bohemians is an alternative rock jam band that originated in Dallas, Texas in the mid-1980s. The band is best known for their 1988 hit "What I Am" from the album Shooting Rubberbands at the Stars. Their music contains elements of rock, folk, blues, and jazz. Following the release of their 1990 second album Ghost of a Dog, lead singer Edie Brickell married singer-songwriter Paul Simon after leaving the band. In 2006 they launched a new web site and released a new album Stranger Things.




Me, I'm a part of your circle of friends
And we notice you don't come around
Me, I think it all depends on you
Touching ground with us but
I quit, I give up, nothing's good enough for anybody else,
It seems
And I quit, I give up, nothing's good enough for anybody else,
It seems
And being alone is the best way to be
When I'm by myself it's the best way to be
When I'm all alone it's the best way to be
When I'm by myself, nobody else can say goodbye
Everything is temporary anyway
When the streets are wet, the colors slip into the sky
But I don't know why that means you and I are, that means you and I
I quit, I give up, nothing's good enough for anybody else,
It seems
And I quit I give up, nothing's good enough for anybody else,
It seems
And being alone is the best way to be
When I'm by myself, it's the best way to be
When I'm all alone, it's the best way to be
When I'm by myself, nobody else can say
Me, I'm a part of your circle of friends
And we notice you don't come around